Office Hours in RH-428 (445-4489)
Heroism and the Human Spirit
MWF 9:35 -10:20 AM and by appointment.
Philosophy Seminar, Spring, 2012
Prof. Michael Kagan
Le Moyne College website: http://webserver.lemoyne.edu/~kagan/index.html
Goal: The main purpose of this course is to provide students with an opportunity to develop their own answers to the question, "What makes a person great?" It is hoped that giving students a chance to address this problem while seeing its inter-connections with fundamental philosophical issues will help them integrate their heroic visions into their own philosophies of human existence and/or philosophic religious faith.
Requirements and grading
SHORT WRITING ASSIGNMENTS: You are to select and complete five of the seven short writing assignments. A reading question is given along with each assignment. Unless otherwise indicated, please answer the reading question in less than one TYPED page (all assignments, except in-class writings, are to be typed).Make sure you are working with the current version of this syllabus.
STUDENT PRESENTATIONS: For every presentation, you will be required to turn in an outline or abstract of your presentation, complete with a list of all works used. Also, if you use any web pages, not only should these be listed on the outline with the rest of your bibliography, but you are also required to turn in a printout of all web pages used in preparing the presentation. If your group divides the work into separate parts, each member of the group will need to provide his or her own outline/abstract and printouts. Outlines/abstracts, and printouts are to be given to me BEFORE the presentation. Failure to do so BEFORE the presentation will result in a 30% deduction from the relevant presenter's presentation grade. If the outline and printouts are not turned in by the next class, there will be an additional 30% deduction. You may use up to but not more than 2 minutes of videotaped material for your presentation. If the class is meeting in a room with a built-in VCR/DVD player, make sure you know how to use it. If you need to bring in a computer or video player for the presentation, you may order one from AV by calling 445-4380; for more information on the web see http://lemoyne.edu/ITHOME/ABOUTIT/CLASSROOMSERVICESIT/Equipment/tabid/833/Default.aspx. In the event of a technical glitch, power failure, or delivery problem, make sure you can present without the computer/videotaped material.
STUDENT PRESENTATIONS ON READINGS: All students are expected to do all readings and to share their understanding with one another in class discussions by leading their own and participating in other students' presentations on the various readings. Student presentations on readings begin the second week of class, and will be scheduled during the first week. The subtopics will be divided up into student groups whose size will be determined by the class size.
Remember: You have less than an hour to present. Focus on the aspects your group finds most interesting and important. Do not try to cover everything. Your presentation will be improved if you make it easier for others to participate. (Please try to help others' presentations by participating!) Please feel free to meet with me to discuss your presentations. If you don't find me on campus, you are welcome to call me at home before 8:00 PM. YOU CAN ALWAYS LEAVE A VOICE MAIL MESSAGE AT 445-4489.
THE PROJECT might involve further investigating the issue of human greatness and heroism, a philosophical essay concerning some related issue of philosophical interest in a work of literature, a creative literary work of the student's own [e.g., a short story, 1st chapter of a novel, & c.], or a philosophical analysis of some related issue present in one of the works we studied, detailing the position[s] set forth in the work, and developing and defending one's own philosophical response.
25% of the grade is based on participation, in-class writings, and the optional journal and other optional writing assignments. Since you are not participating when you don't attend class, you will need to make up any absences with extra-credit assignments and journaling.
25% of the grade is based on the presentation on the readings.
25% for the five short writing assignments (the grade will be the average of the best four out of five).
25% is determined by the project and its presentation.
based on a 10 point scale as
90-100 - 'A' range (97-100 = A+; 94-96=A; 90-93=A-); 80-89 - 'B' range (87-89 = B+; 84-86=B; 80-83=B-);
70-79 - 'C' range (77-79 = C+; 74-76=C; 70-73=C-); 60-69 - 'D' range (67-69 = D+; 64-66=D; 60-63=D-).
Below 60 - 'F'.
Failure to complete any of (1)-(4) can result in a failing grade. Plagiarism will result in a failing grade.
Required Reading List: (in approximate reading order)
Mosley, Always Outnumbered,
Stephen King, Different Seasons (also published as Shawshank Redemption and as Apt Pupil).
Ayn Rand, Anthem.
Ernest Becker, Denial of Death.
Octavia E. Butler, Bloodchild and Other Stories, 2nd edition.
Orson Scott Card, Maps in a Mirror
In coordination with the Academic Support Center (ASC), reasonable accommodations are provided for qualified students with disabilities. Please register with the ASC Office for disability verification and determination of reasonable accommodations. After receiving your accommodation form from the ASC, you will need to make an appointment with me to review the form and discuss your needs. Please make every attempt to meet with me within the first week of class so your accommodations can be provided in a timely manner. You can either stop by the ASC, Library, 1st floor, or call (445-4118-voice or 445-4104-TDD) to make an appointment.
No class or office hours on the following dates: Mar. 5-9, Spring Break; Apr. 5-9, Easter Break.
Last day of class: May. 7 (Mon.). PROJECT PROPOSALS DUE MON, MAR. 19. WRITTEN PROJECTS DUE: MON., APR. 16.
If campus/dorms are closed due to flu or other circumstances, my intent is that the course continue. Assignments continue to be due by email. Presentations will be replaced by papers, virtual presentations, or extended descriptions of presentations. In addition to notes and group work already available there on-line, I will post updates, lecture notes, etc., to my Le Moyne College website at http://webserver.lemoyne.edu/~kagan/index.html
As at other times, if your situation results in your needing an extension, please let me know. Also, if internet service is down or there are other infrastructure problems, please complete the assignments and turn them in when services are restored.
TENTATIVE COURSE SCHEDULE AND SCHEDULE OF ASSIGNMENTS ['*' indicates student presentation.]
#1 (Mon., Jan. 23) Introduce course, choose groups and schedule presentations on readings.
#2 (Wed., Jan. 25) -- In-class writing on childhood heroes.
#3 (Fri., Jan. 27) Discussion of heroic scripting.
#4 (Mon., Jan. 30) Read Orson Scott Card's "Unaccompanied Sonata" (from Maps in a Mirror). Group work on "Unaccompanied Sonata."
#5 ((Wed., Feb. 1) Self-deception and bad faith. Read Orson Scott Card's "The Best Day" (from Maps in a Mirror) . The temptation to deny the best and the worst.
*#6 (Fri., Feb. 3) Students present on Walter Mosley's "Crimson Shadow" (in Always Outnumbered, Always Outgunned) SHORT WRITING ASSIGNMENT: What do the characters in this story fear? How do they face their fears? What can we learn from this?
#7 (Mon., Feb.6) Read Orson Scott Card's "The Porcelain Salamander" (from Maps in a Mirror). Group work on "The Porcelain Salamander."
*#8 (Wed., Feb. 8). SHORT WRITING ASSIGNMENT DUE: Students present on Stephen King's "The Body" (in Different Seasons). What do the characters in this story fear? How do they face their fears? What can we learn from this?
#9 (Fri., Feb. 10) Instructor presents on Rand's philosophy.
*#10 (Mon., Feb. 13) Students present on Anthem. SHORT WRITING ASSIGNMENT DUE: In the world Rand describes, one's career is chosen by others at an early age - how do the book's characters respond to this choice? Does our society also put some in a position that will keep them from hurting the status quo? Why or why not?
#11 (Wed., Feb. 15) Lecture on problem of personal identity.
*#12 (Fri., Feb. 17) Students present on Octavia Butler's "The Evening and the Morning, and the Night" (in the Bloodchild anthology) . SHORT WRITING ASSIGNMENT DUE: Compare someone in this story to someone you have encountered in life or literature. What can we learn from this comparison?
#13 (Mon., Feb. 20 ) Lecture on "Becker, Childhood, and Scary Stories" Read Denial of Death, Introduction & Part I (Chapters 1-6). Optional short writing assignment: How might you relate Becker's views to the experiences of the characters we have read about so far?
#14 (Wed., Feb. 22) Instructor presents one way of reading King (and others).
* #15 (Fri., Feb. 24) Students present on Stephen King's "The Breathing Method" (in Different Seasons). SHORT WRITING ASSIGNMENT DUE: Compare someone in this story to someone you have encountered in life or literature. What can we learn from this comparison?
#16 (Mon., Feb. 27). Instructor presents on Heroic Myths (Campbell and Raffa) and the twice born, related to the readings in and implications concerning discrimination and deception.
#17 (Wed., Feb. 29) Bring Bloodchild to class. Read Butler's "Positive Obsession" and "Furor Scribendi." Group work.
*#18 (Fri., Mar. 2) Students present on "Last Rites" in Walter Mosley's Always Outnumbered, Always Outgunned. SHORT WRITING ASSIGNMENT DUE: What do the characters in this story fear? How do they face their fears? What can we learn from this?
Mar. 5-9, Spring Break
*#19 (Mon., Mar. 12) TWO PART SHORT WRITING ASSIGNMENT DUE: Write a brief description of a friend or a brief story in which the sex of at least one major character is neither stated nor implied. Then, turn to the Symposium and try to explain which of the people in the Symposium express beliefs about love that are inconsistent with their own life/lives as presented in the Symposium or as known historically. What does this suggest to you? Note: You are welcome to do this within one page if you can, but, for this assignment, the page limit is 3 TYPED pages. Students present on Symposium.
#20 (Wed., Mar.14) Lecture on "Time and Chance & Sex and Gender"
#21 (Fri., Mar. 16) Buber's hasidut and Rebbe Nachman's "The Turkey Prince." (includes group work on Rebbe Nachman's story). SCHEDULE PROJECT PRESENTATIONS.
Mon., Mar.19: Project proposals due
#22 (Mon., Mar. 19) In-class writing exercise on future autobiography.
#23 (Wed., Mar. 21) Lecture on "Possibilities and Practice: Heroic Tasks and Self Education."
#24 (Fri., Mar. 23) Read Orson Scott Card's "Mortal Gods" (from Maps in a Mirror). Group work on "Mortal Gods"
#25 (Mon, Mar. 26) TBA.
#26 (Wed., Mar. 28) Read Card's "Bicicleta." Group work on "Bicicleta."
#27 (Fri., Mar. 30) TBA.
#28 (Mon., Apr. 2) TBA
#29 (Wed. Apr. 4) Read Card's "Middle Woman." Group work on "Middle Woman."
Apr. 5-9, Easter Break.
*#30ff. Wed., Apr. 11 - Fri., May 4) Student presentations on projects. WRITTEN PROJECTS ARE DUE Mon., Apr. 16. These presentations are to be about 10 to 15 minutes in length per student, depending on the size of the class, and the number of students presenting. A solo presenter will have 15 minute; a group of 2 or 3 students will have 20-30 minutes; groups of 3 or 4 will have 30-45 minutes). These will continue until the end of semester. Students who are unable to do their individual presentations at the scheduled time will need to schedule a make-up presentation. If re-scheduling is not possible, the student will need to turn in a written version of their presentation if they have not yet done so.
*(Mon., May. 7) Make-up presentations/final evaluations (if they haven't already taken place). LAST DAY OF CLASS.
SUGGESTED WORKS FOR FINAL PROJECTS
Ajami, Fouad. The Dream Palace of the Arabs (Pantheon Books, 1998).
Albom, Mitch. Tuesdays with Morrie: An Old Man, a Young Man, and the Last Great Lesson.
Amdur, Ellis. Dueling with O-Sensei: Grappling with the Myth of the Warrior Sage, Old School: Essays on Japanese Martial Traditions. Available from www.ellisamdur.com.
Alexie, Sherman. The Absolutely True Diary of a Part-Time Indian, The Lone Ranger and Tonto Fistfight in Heaven. (The movie "Smoke Signals" is based on this.)
Becker, Ernest. The Birth and Death of Meaning, The Denial of Death, and other works.
Belenky, et al. Women's Ways of Knowing.
Berne, Eric. Games People Play, What Do You Say After You Say Hello? - The Psychology of Human Destiny, and other works.
Brown, Claude. Manchild in the Promised Land.
Brown, Christy. My Left Foot.
Bujold, Lois McMaster. Cordelia's Honor, and other works.
Butler, Octavia E. Parable of the Sower, and other works.
Campbell, Joseph. The Hero with a Thousand Faces, second ed.
Card, Orson Maps in a Mirror: The Short Fiction of Orson Scott Card, Ender's Game, and other works.
Chandler, Raymond. The Simple Art of Murder and other works.
Chesbro, George. Shadow of a Broken Man.
Chesterton, Gilbert K. The Innocence of Father Brown, other Father Brown Mysteries, etc.
Cross, Amanda. Death in a Tenured Position, and other works.
Ushpizin (2004, directed by Giddi Dar).
Davies, Robertson. The Deptford Trilogy: Fifth Business/the Manticore/World of Wonders, and other works.
DeWitt, Helen. The Last Samurai.
Dostoevsky, Fyodor. Brothers Karamazov, The Idiot, Notes from the Underground, "The Crocodile,” and other works.
Effinger, George Alec. When Gravity Fails, Budayeen Nights, and other works.
Elgin, Suzette Haden. Native Tongue, The Judas Rose, The Gentle Art of Verbal Self Defense and other works.
Ellison, Ralph. Invisible Man.
Eugenides, Jeffrey. Middlesex.
Frankl, Viktor. Man's Search for Meaning. Pocket Books Washington Square Press printing, 1985.
Friedman, C.S. This Alien Shore, and other works.
Gaiman, Neil. Graveyard Book, Coraline, and other works.
Gardner, John. The Art of Fiction: Notes on Craft for Young Writers.
Gibson, William. Neuromancer.
Gilligan, Carol. In a Different Voice: Psychological Theory and Women's Development.
Gilman, Dorothy The Amazing Mrs. Pollifax, Tightrope Walker, Incident at Badamya, and other works.
Goldman, William. The Princess Bride.
Goldstein, Lisa. Dream Years, The Red Magician, Travellers in Magic and other works.
Goodkind, Terry. Sword of Truth series, which begins with Wizard's First Rule.
Haley, Alex, and Malcolm X. The Autobiography of Malcolm X.
Hammett, Dashiel. The Maltese Falcon (the book and the movie). You should look at his other novels as well.
Hargrove, Anne C. Getting Better: Conversations with myself and other friends while healing from breast cancer.
Heinlein, R. The Moon is a Harsh Mistress, Stranger in a Strange Land, Citizen of the Galaxy, Double Star and other works.
Henderson, Zenna. Ingathering: The Complete People Stories (NESFA Press, 1995).
Hesse, Hermann. Siddhartha, The Journey to the East, The Glass Bead Game, Steppenwolf, and other works.
Hitchens, Christopher. Letters to a Young Contrarian.
Hoeg, Peter. Smilla's Sense of Snow, Borderliners.
Hong Kingston, Maxine. The Woman Warrior: Memoirs of a Girlhood Among Ghosts.
Howie, Noelle. Dress Codes: Of Three Girlhoods--My Mother's, My Father's, and Mine.
Howatch, Susan. Glamorous Powers, and other works.
Irving, John. A Prayer for Owen Meany, The World According to Garp.
Jarmusch, Jim. Ghost Dog: The Way of the Samurai.
Jewell, Lisa. One-Hit Wonder.
Junger, Sebastian. War.
Kafka, Franz. "Penal Colony, " "Hunger Artist, " The Trial, The Castle, and other works.
Kagan, Michael . Educating Heroes (Durango, Colorado: Hollowbrook, 1994).
Kamenetz, Rodger. The Jew in the Lotus : A Poet's Rediscovery of Jewish Identity in Buddhist India, and Stalking Elijah: Adventures with Today's Jewish Mystical Masters.
Kaye, Ronnie. Spinning Straw into Gold.
King, Stephen. The Girl Who Loved Tom Gordon, Hearts in Atlantis, Bag of Bones, and other works.
Kiyosaki, Robert T., and Sharon Lechter. Rich Dad, Poor Dad.
Kress, Nancy. Beggars in Spain, Maximum Light.
Leonard, George. Mastery (New York: Penguin/Plume, 1992).
Lowry, Dave. Autumn Lightning, Persimmon Wind.
Le Guin, Ursula K. The Telling, Left Hand of Darkness, The Lathe of Heaven, The Dispossessed, and other works.
Levine, Gail Carson. Ella Enchanted.
Martinez, Guillermo. The Oxford Murders (New York: Penguin Books, 2006).
Monroe, Kristen Renwick. The Heart of Altruism, The Hand of Compassion: Portraits of Moral Choice during the Holocaust, and other works (recommended by Lowell A. Dunlap, Ph.D.).
Morrison, Toni. Song of Solomon, and other works.
Morrow, James. Towing Jehovah, Blameless in Abaddon, and other works.
Mosley, Walter. 47, Always Outnumbered, Always Outgunned, Devil in a Blue Dress, Fearless Jones, and other works.
Noddings, Nel. Caring.
McBride, James. The Color of Water: A Black Man's Tribute to His White Mother.
Oates, J. C. On Boxing.
Parker, Robert B. Mortal Stakes, and other works.
Peters, Ellis (Edith Mary Pargeter). A Morbid Taste for Bones, One Corpse too Many, other Brother Cadfael mysteries, and other works.
Plato. The Republic, and other works.
Pohl, Frederik. Gateway.
Polster, Miriam F. Eve's Daughters : The Forbidden Heroism of Women.
Pullman, Philip. The Golden Compass (New York: Alfred A. Knopf, 1996).
Raffa, Jean Benedict. The Bridge to Wholeness: A Feminine Alternative to the Hero Myth.
Rand, Ayn. The Fountainhead, Atlas Shrugged, The Virtue of Selfishness.
Rollin, B. First, You Cry.
Rosenbaum, Lisa Pearl. A Day of Small Beginnings.
Rowling, J. K. Harry Potter and the Sorcerer's Stone.
Rubin, Henry Alex, and Dana Adam Shapiro (directors). Murderball.
Russell, Mary Doria. Dreamers of the Day, Doc, The Sparrow, and Children of God.
Sacks, Oliver. Musicophila: Tales of Music and the Brain.
Salmonson, Jessica Amanda. A Silver Thread of Madness, and other works.
Sapphire. Push: A Novel.
Scriptures, religious tales and teachings of interest to the student, from a variety of traditions (including, but not limited to, African, Buddhist, Christian, Islamic, Jewish, Native American, Taoist, Vedic.)
Silverberg, Robert. Lord Valentine's Castle.
Smith, Dominic. The Beautiful Miscellaneous (New York: Atria Books, 2007).
Stead, Rebecca. When you Reach Me.
Steiner, Claude M. Scripts People Live: Transactional Analysis of Life Scripts.
Suzuki, D.T. Zen and Japanese Culture.
Sturgeon, Theodore. More than Human, and other works.
Stephenson, Neal. Cryptonomicon, Snow Crash, and other works.
Stout, Martha. The Myth of Sanity: Divided Consciousness and the Promise of Awareness.
Tan, Amy. The Joy Luck Club, The Hundred Secret Senses.
Tremayne, Peter (Peter Berresford Ellis). The Spider's Web: A Celtic Mystery, The Chalice of Blood, other Sister Fidelma mysteries, and other works.
Tolstoy, Leo. The Death of Ivan Ilyich, and other works.
Vinge, Vernor. Rainbows End, and other works.
Vonnegut, Jr., Kurt. Mother Night, Slaughterhouse Five, and other works.
Walker, Alice. The Color Purple.
Wachowski, Andy and Larry. The Matrix and its sequels (including The Animatrix).
Wiesel, Elie. Dawn, The Accident, and other works.
Willis, Connie. Passages, Doomsday Book, Bellwether, and other works.
Zettel, Sarah. Fool's War.
Zuzak, Markus. The Book Thief.
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